for Loretta Palmeiro
World Premiere: St Stephen’s Uniting Church, Sydney, Wednesday February 26, 2025
LORETTA PALMEIRO: Soprano Saxophone
MARK ISAACS: Piano
I. Rhapsody
II. Benediction
III. Fiesta
The composition of this sonata was assisted by the donations of supporters to Creative Partnerships Australia through the Australian Cultural Fund, and directly to the composer.
Production Team:
Sound Recording, Engineering & Editing – Scott Christie
Camera Work – Ian Mackenzie
Film Editing & Producing – Marlene Palmeiro
Page Turning – Timothy Fisher
Piano Tuning & Adjustment – Theme & Variations Piano Services
Espousal Support Crew – Tony Arnold & Jewel Isaacs
Concert presented by St Stephen’s Uniting Church and Loretta Palmeiro & Mark Isaacs
Special Thanks:
Reverend Tim Robinson
Reverend Ken Day
The Jazz Upstairs team
The wonderfully supportive community of St Stephen’s Uniting Church in the city
Mark Isaacs: Symphony No. 2 Czech National Symphony Orchestra conducted by Mark Isaacs
Release on major digital musical platforms 18 April, 2025.
‘Mark Isaacs is one of Australia’s premier composers and his Symphony No. 2 proves why. This is a wonderfully dramatic, passionate and deeply expressive orchestral work.’
— ALEXANDER BRIGER AO Music & Artistic Director, Australian World Orchestra
Mark Isaacs’ first symphony was commissioned by Kim Williams AM for the Queensland Symphony Orchestra (Isaacs was Williams’ composition student at age 14). Its very well-received premiere in 2013 was the subject of a TV program, which Mark Isaacs co-produced, and this was shown multiple times on Foxtel Arts in Australia and Sky TV Arts New Zealand. On the strength of all this, Creative Australia funded Isaacs to compose his Symphony No. 2 which he completed in 2017. Despite the finished work being offered to Australian orchestras and conductors, by 2024 it still had not been programmed for public premiere.
With further support from Creative Australia, in 2024 Isaacs travelled to Prague, accompanied by an independent documentary team, to conduct the premiere recording of his Symphony No. 2 with the acclaimed Czech National Symphony Orchestra. The work had already attracted effusive praise:
‘I am delighted to endorse Mark Isaacs as one of the finest contemporary symphonists working in Australia. His symphonies are amongst the most attractive Australian orchestral works of the last decade.’
— PROFESSOR RHODERICK McNEILL Author: ‘The Australian Symphony from Federation to 1960’ (Ashgate/Routledge, 2014) & ‘The Symphony in Australia 1960-2020’ (Routledge, 2022)
‘I felt a flash of the best of Broadway and Bernstein in the orchestral grandeur, but the spirit of Stravinsky was also there in the insistent driving rhythms and irregular meters which changed frequently…Mark Isaacs’ Symphony No. 2 is a substantial, complex and powerful work.’
— Julie McErlain LIMELIGHT MAGAZINE
‘This symphony is crafted with all of Isaacs’ immense skill in melody, harmony, rhythm, and orchestration. The work is always rhythmically interesting, often exciting. The harmony always works, intelligible without being predictable. His scoring is highly sophisticated; he can use all the colours of a full orchestra as well as anyone…..resembling Richard Strauss at his most exuberant….. nothing in this piece outstays its welcome’ — Nicholas Routley AUSTRALIAN STAGE
Also during last year, in a rather unprecedented display of versatility, and with assistance from the NSW Government through Create NSW, Mark Isaacs recorded and released his debut EP as a songwriter and producer, Grace City, writing all the lyrics as well as the music, featuring vocalist Deborah Dicembre and the strings of the Czech National Symphony Orchestra recorded during the Symphony No. 2 sessions in Prague. Rhythms Magazine said: “Part Leonard Bernstein, part Burt Bacharach as interpreted by Dionne Warwick and Dusty Springfield—it’s almost symphonic pop!” and distinguished music journalist Bernard Zuel (SMH/The Age) wrote of it: “Presenting pop songs whose craft and class demand more of singers and musicians, without making it sound like it demands more of the listener, gets my respect”
The composition and recording of Mark Isaacs: Symphony No. 2 has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.
Another facet of Mark Isaacs’ musical world: a turnaround to his major debut as a songwriter and producer, writing all the lyrics as well as composing and arranging the music, and playing piano and keyboards. Featuring the strings of the Czech National Symphony Orchestra conducted by Mark and the astonishing vocals of Deborah Dicembre.
“The Grace City EP is a thing of beauty. Exquisite songs, singing and musicianship. Spend time with it – it’s time that will bring glorious and wonderful rewards.” STUART COUPE music journalist and author
“Part Leonard Bernstein, part Burt Bacharach as interpreted by Dionne Warwick and Dusty Springfield – it’s almost symphonic pop!” Michael George Smith RHYTHMS MAGAZINE
SONATA: Solo Piano Works Composed & Performed by Mark Isaacs
Recorded for the ABC Classic label, this album is an intimately authentic selection of recent solo piano classical compositions by Mark Isaacs, performed by the composer. It features a suite of six Songs Without Words, a set of variations on the English folksong The Snow It Melts the Soonest, and his Sonata.
“Both in life and in his music, pianist and composer Mark Isaacs is searching in the darkness for truth; a profound intelligence guides him but never stands in the way of his heart. These probing, introspective solo works are deeply moving, gracefully played, and filled with humanity.” —JAMES GAVIN biographer and journalist
“Music, at its absolute best, touches the realm of infinity. This is the feeling I have always had with Mark Isaacs’ music, delirious with the beauty and depth of his masterful storytelling, sensitive technique and razor-sharp intelligence.”—SIMON TEDESCHI concert pianist and author
“In the 19th century it was normal that composers would play their own piano music—one thinks of Mozart, Beethoven, Chopin, Liszt…(a line of which perhaps the last was Rachmaninov). It is a mark of the originality of Isaacs’ project that he can surmount the considerable technical demands of his own piano music and present these works in performances so carefully sculpted that their changing moods strike us with an intimate authenticity. A performer’s job is to make any music he performs his own—well, here the music, being Isaacs’ own, leaps off the page under his fingers.” —NICHOLAS ROUTLEY composer, pianist, conductor, musicologist
CD AUD$24.95
Shipping at ‘Buy Now’ button above to Australia only: International customers please order here (prices are in Australian dollars)
Available on major digital music platforms.
Mark Isaacs’ 2020 classical repertoire album Intimacies (Gracemusic/MGM) received lavish accolades:
"Few would dare reinvent such icons of the Western canon. But for Mark Isaacs, to perform is to reinvent…he not only remakes the wheel, but sends it spinning merrily down the road less travelled…even the most familiar of phrases seem to be at Isaacs’ beck and call, their cautious new identities almost convincing us that Isaacs is the composer, making it up as he goes along….just tender admiration and a striking vision" SYDNEY MORNING HERALD (4½ stars)
“Exquisitely judged by Isaacs….transfigured beauty….a melody which, in Isaacs’ hands soars" LIMELIGHT Magazine
“His debut solo classical release comes with all the warmth that one would expect of his jazz performances”
ABC CLASSIC “Feature of the Week”
Now, recorded in Adelaide’s superb Elder Hall, with concurrent multicam video shoot, comes his brand new interpretation of Ravel’s Ondine, a masterwork of French Impressionism which sumptuously evokes the manifold levels of emotion brought forth by the mysterious and sensual spirit of the water
Music by Chopin, Rachmaninov, Scriabin, Debussy, Satie & Poulenc
Release date Sept 11, 2020, by Gracemusic/MGM on CD & major digital music platforms
Order Intimacies CD (with 16-page booklet): AUD$24.95
Shipping to Australia only at “Buy Now” button below. International customers please order here (prices are in Australian dollars)
“Why should we listen to Mark Isaacs playing this wonderful treasure-chest of well-known, gorgeous pieces, rather than, say, Martha Argerich, or Lang Lang? My answer is this: Every performance by a complete musician is different, and gives an insight into the music not found elsewhere. Isaacs is a complete musician.He is not about nimbleness of fingers, though he has this. Beethoven once accused contemporary pianists of losing all feeling in the nimbleness of fingers. Isaacs believes rather, with Beethoven, and indeed Argerich, that music which is played from the heart will go to the heart: Von Herzen – Möge es wieder – Zu Herzen gehen! (Beethoven’s epigraph to the score of the Missa Solemnis).” Dr NICHOLAS ROUTLEY – Associate Professor of Music, University of Sydney
“Here is an album of sparklingly fresh, warmly intimate and deeply personal takes on some of the most lyrical and beloved solo piano works in the entire classical repertoire. These precious gems of unrestrained lyricism are given singularly personal and engaging treatments by one of Australia’s most accomplished musicians, internationally-renowned pianist and composer Mark Isaacs. Following two ARIA-nominated albums in jazz, this is his keenly-anticipated debut release of solo classical repertoire.
“The world would have more musical polymaths like Leonard Bernstein, André Previn, and indeed, Mark Isaacs, if more of we classical musicians were able to compose, improvise and play jazz.” LACHLAN BRAMBLE– Intimacies Recording Producer; Associate Principal 2nd Violin, Adelaide Symphony Orchestra; Benaud Trio
‘Rhythms’ magazine, JANUARY/FEBRUARY 2025
